January / February 1997

Richard Tuttle's Paper Liberation
—by Paul Gardner

Rembrandt's Nocturne Prints:
—by Catherine B. Scallen

Thomas Ruff: The End of Objectivity, or From Portraits to Other Portraits
—by Anna Blume

Pedro Cano —by Maurizio Calvesi

Notes on Italian Photography: Part I
—by Giuliana Scimé

Pierre Apraxine Interviewed
—by Beth Gates Warren